In which I respond to reader mail

It’s been a slow year (not counting the endless carousel of Trumpian atrocities) so maybe it’s time once again to go to the mailbag. Remember mailbags? How they used to bulge? They were fun.

Dear Dave: So what have you been reading lately? That is, assuming you are not yet too old to decipher printed material beyond, say, a third-grade level? – Made-Up in Montreal.

A: Thank you, although I would point out that we live in a country where a third-grade reading level is considered overkill. 

Anyway, I just finished “Fingersmith,” by Sarah Waters. It’s set in Victorian England and involves a 17-year-old thief sent to pose as a maid for a 17-year-old heiress. The thief’s mentor, a charming villain known as Gentleman (think Fagin, only better looking), intends to seduce the heiress, marry her, and then ship her off to one of England’s excellent madhouses. He promises the young thief, Sue, a share of the proceeds.

Twists ensue – so many that this gentle reader had to stop once in a while to keep it all straight. 

What I liked: The period detail, the richness of the prose, the sharply drawn characters, the organizational prowess it must have taken to keep all these plot threads mostly raveled. 

What I didn't like: At 511 pages, it’s too long by about a third. It’s frequently told in the present tense – a pet peeve of mine. Then there are the alternating points of view, which is not a deal-breaker, but it's a device that tends to duplicate large parts of the story, and several scenes weren’t that interesting the first time.

I gave it three stars, which means I finished it, but was also glad to be done with it. That’s not the mark of a modern masterpiece, in my opinion. 

Dear Dave: How about TV then? Or are your sensibilities so refined that you no longer deign to watch? – Spun From Whole Cloth, Cleveland.

A: My sensibilities are indeed refined, to the extent that I refused to join my wife in watching a single episode of “And Just Like That” and only occasionally glanced at “Sister Wives” while looking for my glasses.  But a man gets bored. So I have squandered some of my dwindling time on Earth watching the following:

Alone. Ten contestants are dropped off in a South African desert and try to outlast the others in a grueling trial of diarrhea and despair.  Pass the popcorn! I watch this because my son organized a pool where we bet on who will win, who will cry first, and so forth. My $13 stake vanished in the first three episodes. But it’s still pretty good TV.

Stick. If you think golf is less exciting than curling, I don’t disagree. But the cast, featuring Owen Wilson and Marc Maron, is pretty good and it ended up being less predictable than it first appeared. Nice minor appearance by Timothy Oliphant. Minor crush on Mariana TreviƱo as the hot mom of the golf prodigy at the center of the story. Dave Bob says check it out.

Department Q.  One thing I love about British TV: the actors all look like people you might actually encounter, instead of the uber-glam dreamboats that populate most American shows. In the first season (it appears there will be another), a ruthless prosecutor has been missing for years.   A traumatized cop assembles a small team of misfits to crack the case. Sounds a bit formulaic, but again: the cast and the writing keep you hitting “next episode.” 

Dear Dave: Anything you hated? – Figment in Philly.

A: Funny you should ask. Yes there are many things I hated and still do. Not least are Trump and his soulless coterie of cosplaying fluffers.

But I sense you mean television. In that area, the thing I hate most is wealth porn, these endless miniseries about glamorous billionaires who live in places like the Hamptons and have Dark Secrets that are utterly trite. Shows like “The Perfect Couple,” and “Sirens” and “We Were Liars” and “Friends and Neighbors.”  Also, of course, “And Just Like That.” Vast affluence is the leading character in all these shows, and I’d rather watch curling.  




  


Comments

John said…
Thanks for the reviews, Dave! If I may respond in kind...

I just finished re-reading the 1950 Josephine Tey novel "To Love and Be Wise" (from the saying, "it is not possible to love and be wise"). I read it once before, but it was long enough ago that I remembered only some general things about the story. Though I find the ending a bit unsatisfying, Tey's writing is top notch. She has an unsparing, but not entirely unsympathetic, way of depicting characters. And her special talent is showing the way an event (in this case, a disappearance with possible foul play) affects the characters, and the ripples it sends through a community. Tey is probably best known for her novel "The Daughter of Time", but I enjoy all of her novels.

If you speak French or are OK with subtitles, and you have a PBS subscription, I highly recommend "Astrid". Called "Astrid et Raphaƫlle" in French, it features a researcher with autism who becomes part of the elite crime squad of the Paris police, and becomes friends with Raphaƫlle, the lead detective. The performances are generally very good, but Sara Mortensen's portrayal of Astrid is fantastic. Along with great attention to detail (which I always appreciate), they do such a good job of showing how Astrid's autism affects her. It both makes her exceptionally good at her work and makes some ordinary aspects of life exceptionally challenging for her. Sadly, the BBC remake of the show, called "Patience", is terrible. Not just a bad version of the original, but bad even if you have never seen "Astrid". I was complaining about it to a friend, and he pointed out a pattern in what I was describing. Every unusual thing, every subversion of expectations, was replaced by a standard cliche. They also flattened the show emotionally. "Astrid" has more humor and more darkness that "Patience".

We're still in the middle of it, but "A Discovery of Witches" on Netflix is unintentionally hilarious. It's "Twilight" meets "Harry Potter" but everyone is legally an adult (whether they act like it or not). There is no cliche left behind. The heroine has the patented Kristen Stewart flat delivery that makes "I love you" sound the same as "My commute took longer than usual today". For me it is excellent escapist fare. (And for the record, I don't hate Kristen Stewart - in the right role, I actually like her work.)
Dave Knadler said…
I appreciate the recommendations! I will definitely have a look at Josephine Tey's work.
I have watched a couple of episodes of "Astrid" and liked them a lot. Not sure why I didn't continue, but I'll get back to them. I did see the various blurbs for "Patience" and it looked like such an obvious rip-off that I didn't bother checking it out.

You may have already seen it, but BritBox's "Code of Silence" is pretty good, if only for then engaging female lead. You can't help but like and sympathize with her.