The movie is nearly as good
 
Ian McEwan's  Atonement  remains one of my favorite novels, so it was just a matter of time before I got around to seeing the movie. Mostly, I was curious to see how a director and his screenwriters could make sense of a such a nuanced work, one that relies so heavily on interior dialog. I'm impressed. Although I've not yet talked with anyone who saw the movie without first reading the book, the film deserves the praise it's getting, and I'll be recommending a few key Oscars -- just as soon as my Academy credentials come through. Best supporting actress won't be among them, though. Saoirse Ronan  is fine as the young Briony Tallis, but the character is later played by two other women, neither of whom particularly resemble her in appearance, mannerism or emotional demeanor. Should this matter? To me it does.  Sorry, Saoirse (I hope I'm pronouncing that right), but you've got a long career ahead of you. In many ways, Atonement  is an old-school film, much ...
 
 
 
